So, further to Part 1 of this piece and the elation of getting six images shortlisted in Landscape Photographer Of The Year 2014, many will probably think it fairly unforgivable of me to even consider writing a single word about the pain of rejection and deflation after achieving something like that. And I have to admit I agree to a point - it sits slightly awkwardly with me.
I'm very pleased to confirm that for the fourth year running I have been short listed for Take A View Landscape Photographer Of The Year. As always it's a contentious competition but many landscape photographers in the UK want to do well in it nonetheless, myself definitely included.
June was a very busy month, especially for infrared work. Our English summer is in full flight and for once it's wall to wall sunshine and blue skies. That may not be to everyone's taste for landscape photography but for those who have invested in Infrared capability like I have then there are no better conditions.
I go through periods where I feel compelled to return to either woodland, rolling landscape or the sea. I started to get the call for the minimalist views of the Norfolk coast and eventually I found myself planning a trip to Wells-Next-The-Sea.
Following a bit of experimentation recently with Multiple Exposure effects, I had a request from Amateur Photographer Magazine for them to complete an interview feature on me and the image below, which I've simply titled "Cotswold Trees". I've been interviewed by Phil Hall before for a different piece, he's a very easy guy to talk to and totally understands the creative process and it was a very enjoyable half hour or so.
Spring got into full swing during April and I could finally put to good use my 720nm Infrared converted Nikon D800, which I refer to as my D800IR. Infrared light reacts with Chlorophyll, the agent found naturally occurring in foliage, and Spring is a wonderful time of year for a creative difference when the leaves start to show themselves again.
After the photographically challenging period through February where I seemed to really struggle to find something I liked for weeks, March turned into an immense month photography wise. There is no doubt that come the end of the year I would probably be able to pick half of my favourite images from the sessions I had in this month - and sometimes you only need a few hours to fill a card with a whole set of images which have impact or poise, the right drama or subtlety.
A month like February can be pretty challenging. It's very much a winter month of course, isn't altogether a lot of fun and finding any real colour at all in the landscape isn't that easy. Photographically it was pretty flat for me but it didn't stop me getting out just to breath anyway.
It's been a savage winter in the UK, not so for its snow and ice but for its continual rain, high winds and storms. The first part of 2014 will be remembered for one thing - the volume of storm and water everywhere in the UK, but particularly in the South West.
I've decided to write a monthly blog entry on my favourite image for couple of reasons; 1) It's way to hard to pick out the images that catch my eye at the end of the year and 2) it might just show some progression through the calendar. Maybe.