I’ve been asked for quite a few images from Amateur Photographer to date, most notably with my Wild Wood Feature last October (watch out for another coming up again soon) so I was pleased to be asked to supply an image which would be used to demonstrate how to “avoid the cliches” as part of their “12 New Year Projects” feature…
I’ve spent a bit of time reconnecting with some mono work lately, especially since I started shooting some night scenes with the Nikon Df. I used to spend a lot more time with black & white than I have done this year and in the process I often looked in awe at Black+White Photography magazine for inspiration. It’s a very cool and elegant title indeed, a volume of genuine distinction and quality, in my view a cut above many of the other monthlies you’ll find it nestling amongst on the shelves of WH Smith. It’s been a long held ambition of mine to get something between the covers and in truth I’d all but given up that it was going to happen.
Once again I’ve been fine tuning my equipment. For a long time I’ve accepted my own status quo and when I think about that it’s a bit odd really because it’s the opposite of who I am. I can’t sit still, I feel a compulsion to move on and evolve. What do I mean by that? Basically that my first choice DSLR in a Nikon D800E was the beginning and end of my requirements and my lens choices have very much followed that format. I’m not even sure how I ended up thinking like that.
Following a bit of experimentation recently with Multiple Exposure effects, I had a request from Amateur Photographer Magazine for them to complete an interview feature on me and the image below, which I’ve simply titled “Cotswold Trees”. I’ve been interviewed by Phil Hall before for a different piece, he’s a very easy guy to talk to and totally understands the creative process and it was a very enjoyable half hour or so.