So, further to Part 1 of this piece and the elation of getting six images shortlisted in Landscape Photographer Of The Year 2014, many will probably think it fairly unforgivable of me to even consider writing a single word about the pain of rejection and deflation after achieving something like that. And I have to admit I agree to a point – it sits slightly awkwardly with me. But I can’t help it. Those nagging deep rooted doubts that your photography isn’t as worthy as you think it is and feeling once again some of your best images were passed over and cast aside in a few moments, not considered to be interesting enough, presented nothing new, lacked subtlety, story telling, or worst of all was just an ‘also ran’ others have done better before. Of course the judges don’t approach things quite in those terms, but personally I can’t help that emotional bond with some of my images that means I want to scream “YOU CANNOT BE SERIOUS!!!”.
I’m very pleased to confirm that for the fourth year running I have been short listed for Take A View Landscape Photographer Of The Year. As always it’s a contentious competition but many landscape photographers in the UK want to do well in it nonetheless, myself definitely included.
June was a very busy month, especially for infrared work. Our English summer is in full flight and for once it’s wall to wall sunshine and blue skies. That may not be to everyone’s taste for landscape photography but for those who have invested in Infrared capability like I have then there are no better conditions. Although June was a key month for rolling fields of things like poppies there probably wasn’t a better time to produce some high impact black and white images with the right approach.